Hello, darlin… nice to see ya

It’s been a long tiiiime…

Hello there stranger! How the heck are ya? Do you even remember me? I’m sure that’s questionable. Remember in my last post I promised you that I would tell you soon what was keeping me so busy. Apparently I lied. I apologize.

See here’s the deal. I had a baby! I say that like it just happened. Oh no. It wasn’t recent. It was so long ago now I’m embarrassed to say. Embarrassed because while a new baby might be a reason to neglect a blog, a 20-month-old, despite the fact that he’s into everything, seems like less of an excuse. The thing is that while I expected that to mean extra work, no one told me that the craziness increases exponentially with each child so that 2 children is somehow through some mathematical mystery 4 times the work. I would imagine that people with 6 children never ever stop moving and never take in any sustenance but the last drops in the bottom of a juice box and the 1/2 a chicken nugget child #4 dropped on the floor that the dog failed to notice. So hats off to those of you that make multiple children look easy. But I digress. Where was I? Ah yes. Kid x 2= Work². However, it’s also Fun², so while there’s extra cleaning messes, laundry, correcting, containing, and refereeing, etc; there’s also extra snuggling, kissing, teaching, learning, and laughing. It’s good. It’s great! But it is busy.

I am very happy to say, though, that work as been busy as well. I’ve done several commissions which I have really really enjoyed. I love the collaboration involved in helping someone flesh out what they want in a painting and bringing it to life. My commissions have ranged from an oil painting done from an old photograph of the client and her mother, to a traditional portrait, to a portrait of a beloved stuffed bunny, to tiny boots and baby knees (plus a couple of pet portraits not shown here). The work has been varied, but so so good with each piece presenting its own challenges, learning opportunities, and rewards. I’ll probably go into detail about some of these in future posts, but for now here’s a brief glimpse of what I’ve been up to since the new kid came along:

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The “Skin”ny on Skin

Forgive the title…I’m kind of a dork…

Yowzah it’s been a long time since I posted! So long that I forgot my password to log on to my site! I have been very very busy with things that I will share with you at a future point. However, for the moment, I’m STILL busy. I do want to show you a piece that I finished a few months ago, though, that I’ve yet to share. It’s a diptych (which is a fancy way of saying that it’s on two panels). I had so much fun with the colors in the skin tones-greens, violets, reds… To anyone reading this who is not a (totally obsessed with tiny details, value shifts, and color changes) realist artist, that statement probably sounded weird. I mean, caucasian hands should be painted in caucasian flesh tone, right? Yeah right, and grass is green and apples are red. Ok, well, those last two are true even though much more goes into those than meets the eye as well. But skin… how can I begin!? Skin is an organ, right? The largest organ of your whole entire body. It is a living thing with blood flow, covering muscles, tendons, ligaments, bones. And because it’s translucent, those elements underneath affect the color of the skin on top.  So, take that complexity and add to it some other factors like form, light, shadow, the hills and valleys that make it look like a hand instead of just a lump of peach or brown clay and it gets pretty colorful. Your amazing brain is so amazing that it takes in all those details and processes them without you even noticing, then says simply to you, “That? That’s a hand.” So, take a minute. Look at the back of your hand. Wiggle your fingers and notice how the shape of the shadows changes as you do so. Pretty cool, huh? Now tell me, what color is your skin?

Tug of Love

Tug of Love, detail

Love Letter to the Here and Now

Hey y’all, remember me? Ages ago I posted (here!) the beginnings of a portrait I was doing of my little girl. However, I just realized I never shared the completed painting. So, I present to you “Love Letter to the Here and Now.”

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“Love Letter to the Here and Now” by Erin Hardin- Oil on Linen

The title speaks to both the fact that the prototypical “dad with the video camera” is using a smartphone to record his child’s accomplishments.

Detail from "Love Letter to the Here and Now"

Detail from “Love Letter to the Here and Now”

However it also truly is a love letter to my here. My now. Which I have to say, is pretty great.

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My here. My now.

Let’s Try This Again, Part III

Bit by bit I’m moving along on this painting. I’m loving it, but my little one has decided naps are for chumps so I’m not getting to work on it much. That’s ok. Next week she starts pre-school so I’m trying to soak up every sweet, frustrating, fun, non-work productive, bonding, silly, frivolous, educational, and mundane moment with her. I have the rest of my life to work. Here and there, though, I have made some progress on it.

Last post I showed you my rub-out underpainting:

Now for the fun part- color! Here’s what I’ve done so far, plus a couple of detail shots.

Don’t you love skin tones? Look at all the colors in there- greens, pinks, violets- and I can promise you there’s not a bit of pre-mixed “Caucasian Flesh Tone” on my palette. Where would be the fun in that?

Ok. Let’s Try This Again, Part II

Last post I showed you this value study I did in preparation for my next painting-

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Value study on Ampersand Oil Paper 6″x8″

Now I’m ready to start on the real deal.  First, the drawing:

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Drawing on canvas in sepia pen

Next, the rub-out. I’ve found that my initial little value study helps with this step. The more familiar you are with your subject and your values, the better. 

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Burnt Umber Rub-out

Next up: My favorite part- the magic part. Painting. Stay tuned.