Let’s Try This Again, Part III

Bit by bit I’m moving along on this painting. I’m loving it, but my little one has decided naps are for chumps so I’m not getting to work on it much. That’s ok. Next week she starts pre-school so I’m trying to soak up every sweet, frustrating, fun, non-work productive, bonding, silly, frivolous, educational, and mundane moment with her. I have the rest of my life to work. Here and there, though, I have made some progress on it.

Last post I showed you my rub-out underpainting:

Now for the fun part- color! Here’s what I’ve done so far, plus a couple of detail shots.

Don’t you love skin tones? Look at all the colors in there- greens, pinks, violets- and I can promise you there’s not a bit of pre-mixed “Caucasian Flesh Tone” on my palette. Where would be the fun in that?

Ok. Let’s try this again

A while ago I showed you this in-progress picture:

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with the promise that you would see it transform along the way into a finished painting. I lied. I didn’t mean to! Sometimes I just can’t finish a painting. There’s certainly something to be said for committing to a project; working until your idea comes to fruition; pressing on until the bitter end. But there’s also something to be said for stopping when you realize that what you’re working on just isn’t “you” anymore. That is not to say the same attitude should apply to every situation that bores you, or even to every painting, but of all the commitments you could flake on in life this is one case where the earth will not shatter, hearts will not break, and jobs will not be lost (unless, of course, it’s a commission- which this was not so I’m free to do what I want. So there!).

Now, let’s try this again with a painting I know I’ll finish- in part because I’m much more more in love with the subject matter. A portrait of my daily life.

To start I did a value study:

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Value study on Ampersand Oil Paper, 6″x8″

A quick laying down of the lights and darks of my composition. This is done on a small scale (in proportion to the size and shape of the finished painting) quickly and loosely, with no gridding, no drawing, and no blending. The purpose of this step is just to help you check the balance of lights and darks in your painting. For example, this composition stands alone because it is primarily dark with a bright white center of interest. When paintings edge too much toward mid-range in value, they get dull no matter what your colors or subject. Value studies are helpful, though because you don’t get distracted by the pretty colors or elaborate patterns and you can really see the bones of the picture. So far, so good. And I’m not a bit bored.

 

 

 

 

Little darlin’, it’s been a long, cold, lonely winter…

 

Molly's Tree- pen and ink doodle

Molly’s Tree- pen and ink doodle

There’s a certain pleasant tension, a pressure of life that’s seems palpable in Spring. Moist air weighs on tender new grass, which in turn stretches up toward the sun. Buds push their way through branches’ fingertips and unfurl into fleshy leaves. Tulips and daffodils press their way upward through soft, fresh dirt. It feels like all of nature is pulsing. Can you feel it? Whether you realize it or not I bet you can. Is your step just a little lighter? Do you long to shed un-needed layers, whether of clothing, flesh, or sadness? It’s Spring. Get outside and soak it in.

Daffodils- watercolor sketch

Daffodils- watercolor sketch

Violets- watercolor sketch

Violets- watercolor sketch

An Homage

Those of you who have been following me for a long time may remember a post that I wrote on my former, blogspot blog. The post was entitled “Pockets of Joy” (click to read it). It was a sad post, and a happy post – A post in mourning of my dear dog Shag (aka The Shagster) who had recently died.

Now, around a year after the anniversary of his death, I painted his portrait. It was therapeutic and a celebration of the best dog ever. I present to you, The Shagster:

"The Shagster" Oil on linen

“The Shagster” Oil on linen

April Fool’s Tradition

My cousin Chloee (really she’s more like an aunt to me) started a tradition years ago. She spends all year searching for a recipe with a crazy, unexpected ingredient. Then, she bakes up these unusual goodies and sends them out to family members, always timing it so that they arrive on April Fool’s Day, and challenges us to guess the secret ingredient. IMG_1222

These are not mean April Fool’s pranks… oh no! These are delightful. They’re always delicious, despite (or because of?) ingredients that may not otherwise seem very appetizing. Pinto beans in your muffins? Velveeta in your brownies? Rose petals in your cookies? Hey, don’t knock it til you’ve tried it.

 

So, this year when I received my April Fool’s treats, I couldn’t wait to open the box. Tiny muffins awaited me. I looked carefully. Hmm… green slivers. I sniffed. A hint of citrus. I took a tiny nibble and held it on my tongue. IMG_1223

Nutmeg, maybe…not too surprising. What else? Pecans? That’s not unusual either. Orange peel. Delicious, but not weird enough. What was that green? Zucchini? Not broccoli… chives maybe? Wheatgrass. Finally I settled on chives. There was a slightly herbal taste. I peeled back the label on the back of Chloee’s note, beneath which she had hidden the answer. Asparagus!? I don’t even like asparagus. But I like these muffins! Just goes to show, you never can tell.

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What I love about this tradition isn’t just the fun of it, or the craziness of it, or the effort Chloee puts into finding recipes and making sure they get here on just the right day. It’s the attention it requires on my part. It’s permission to take my time and notice every subtle detail of my food from the smell to the texture to the nuances of flavor. It’s the reminder to savor and enjoy.

“Wasted” Day

The day did not look promising.

Mother’s Day Out (along with all other schools) had been needlessly cancelled due to the threat of “inclement weather,” which in the end, presented itself only in dreary rain. I had a to-do list a mile-and-a-half long, restless energy, and a two-year-old who wouldn’t even let me check my email without destroying things in a bid for my attention. Frustrated and focused on “not wasting the day,” I buzzed around her, attempting to check items off my list, snapping and sighing in annoyance. And then little arms wrapped themselves around my legs. And then a little voice said, “Mommy, can you hold me?” And then I got smart and stopped wasting my day.

Instead we snuggled up on the couch and watched a movie. We made a dozen marker drawings.We used up all her finger paints and created a mural on the wall of the bathtub. Then we rinsed it away and used up some fancy bath gels I was saving for a rainy day (What better opportunity?) and splashed around in the foam.

And the wasted day became a success.

It’s all about balance… well, mostly

ImageArt is a pretty sedentary activity. Luckily my other love is exercise of many different forms. One of my favorites- yoga. Often times during the relaxation period at the end of class when my thoughts are flowing gently ideas are formed, solutions uncovered, connections made. This morning, however, my revelation came during a balance pose. Having a revelation during a balance pose, by the way, can make you topple, so I gently tucked in the back of my brain to ponder over later. Now is later.

Imagine this: You’re trying a pose that seems unfamiliar, unnatural- say, for example, something on one foot (or in this case, on your head). You wobble, you teeter. Then what do you do? You laugh self-consciously or panic, you scrunch up, you shrink in, you become smaller. Do that, however, and you most assuredly will fall. However, if you keep your poise, lift up, expand with control, stretch out and grow you have a much better chance at success.

It seems to me that the same thing happens when we meet challenges or unfamiliar territory (or even just awkward situations) in life. If we become self-conscious, fearful of failure, insecure, and shrink into our small, seemingly safe little box, we most assuredly lose our balance. Instead, expand with control (“with control” being the optimum phrase here). Stretch. Be strong and test your limits. You still may fall, but I can almost guarantee it will be with more grace. And if you don’t fall? Congrats.

I’m not writing this from a position of authority. I’m really writing this TO myself. This is my challenge for myself in the upcoming year- to live expansively, generously, openly, un-self-consciously, without fear and shrinking… and if I fall, to fall with grace, then get back up and try again.

Trust me, it all connects.

For about a week now I’ve been attempting to NOT multi-task. Harder than it seems but surprisingly effective. Crazy as it sounds, I feel calmer and I actually feel like I’ve gotten more done. Even on days like last Monday when my dog licked a 10″ square portion of oil paint off a painting I’d been working on for two hours (FYI in case this happens to you- feed them and give them peptobismal. This is on a vet’s recommendation. She didn’t have a recommendation for what to do about the painting). I even managed to (for the most part) not multi-task when 20+ family members came into town for my daughter’s second birthday. It’s amazing how much nicer… calmer life seems when you’re really doing one thing at a time. However, I discovered a secret hidden area where I multi-task.

My brain.

That sneaky brain! Always trying to think about something else while I’m doing something entirely different. So, I’ve been working on mindfulness. Life’s too short and too precious to let moments slip away unnoticed while we’re not looking. So, several times a day I’ve tried to stop my inner narrative, my to-do lists, etc and notice where I am. Chances are it’s no place obviously special, but inevitably when I stop to notice there are special things about it. My brain is hyper. It’s hard to teach it to sit still for long. But, a little reminder several times a day, focusing for just a few scant seconds at a time, and I already notice it’s calming down.

On the subject of focusing on one thing at a time, in my latest painting I (mainly) focused on one color. White. I JUST finished it about 20 minutes ago, but I’m eager to share it.

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“Dare to Dream”
12″x16″
Oil on Linen

Man I love color!!! Look at all the zillion colors you can find just in white! Sorry, like I said, hyper brain. Anyway, this was really fun to do. And clearing my mind of all distractions and just looking for that myriad of colors imbedded in white paper and a white background was a great lesson in mindfulness. Tada! This blog post has come full circle. Namaste.

My Virtuous Vice

I have a vice. It’s probably one a lot of you share. Like many vices, it’s hard to resist. It’s not normally seen as a vice. In fact, in this culture of more more more, it’s typically viewed as virtuous.

Multi-tasking

The following is a true story, and typical:

I put on moisturizer in the morning. While waiting for the moisturizer to soak in, I begin brushing my teeth. When I reach for the toothpaste I notice a cup on the bathroom counter than needs to go in the dishwasher, so toothbrush in mouth, cup in hand, I head to the kitchen. When I get there I realize the dishwasher needs to be unloaded, so one-handed (I’m still brushing my teeth with the other hand) I begin unloading the dishwasher. Teeth brushed, dishwasher half-unloaded, I return to the bathroom to rinse my mouth and put away my toothbrush. While there, I realize I never finished applying my make-up. Powder on, mascara out, I realize I never finished unloading the dishwasher. Mascara applied quickly, I return to the kitchen where I find my husband, unaware that the dishwasher was half-unloaded (because really, why should it be??) putting dirty dishes in the with the clean. Amidst all of this there is also some toddler juggling going on. This. Should. Not. Happen.

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So, in a quest for sanity, peace of mind, and just all-around efficacy, I’m trying to rid myself of my multi-tasking ways AND as I’m going to tell you all about it (Didn’t you know I would?).

In a Rut?

A friend of mine is in an art rut. Man, do I know that feeling!! I’m sure everyone out there has at some point or another. You’re not excited about anything you’re doing, it feels like a chore, but then if you don’t do anything at all you get that stressed out, tight, sad, tangled up feeling. Do you know what I mean? Those are the best words I can use to describe it.

I’ve noticed, though, that if I just keep moving, once I come out on the other side of an artistic crisis my work is better for it. In Walking in this World (the follow-up to The Artist’s Way) Julia Cameron points out that often what we refer to as break downs should really be thought of as break-ups, like an icy river breaking up in the spring. Once I was able to think of it that way, these periods of creative drought didn’t feel so scary. These ruts are not permanent. They’re just bumps and valleys we have to pass through to come out on the other side. It’s like the Pilgrim’s Progress of the creative life.

But, in the meantime, while we’re in them, they stink. So, here’s a list of ways I’ve found to help me keep moving through artist’s block:

1) First and foremost- Relax! This is not permanent. You are not doomed to forever live in a desolate artistic valley, devoid of creativity. Forget about your “responsible” reasons for needing to create (“I have a show coming up,” “I need to sell some more paintings,” “I’m trying to build my portfolio,” etc) and remember your real reason for creating. I paint because I’m happier when I paint than when I don’t. Period.

2) Do something that’s not your style. I think there’s a lot of pressure on artists of all kinds to have a recognizable “voice.” To have a style that people see and say, “Oh, that’s Erin Hardin’s work,” or whatever. That can get stifling, though. When I got thoroughly stressed out and bored by my super detailed paintings on metal, I started creating these little, simpler paintings.

I didn’t care in anyone even saw them. I just had to do something. I had to paint because, like I said above, I’m happier when I paint than when I don’t.

3) Change your surroundings. Can you reorganize or redecorate your art space? If you normally paint in the basement, can you move it to the kitchen table for a while? This may also mean…

4) Changing your medium.  If you normally paint, draw. If you normally draw, try watercolor. Or do something completely different like writing a detailed description of the cashier at the grocery store, the smell of the rosemary by your front door, the vase you got as a wedding present. You have a zillion facets to your personality and to your creativity. Explore them.

5) Try thinking of life as art. If you can cultivate a creative mindset in things that you might not normally think of as artistic endeavors, not only will that mindset become a habit, but also it will spill over into your studio life. Explore a little bit. Take a different route to the grocery store and enjoy meandering. Beautify your surroundings. Plant some fresh fresh flowers and enjoy the feel of the dirt. Try not to be so goal oriented and enjoy the process. You’ll get the same end result but with a better journey. Notice and appreciate the multitude of things that make life beautiful.

Most of all, just keep moving. You’re committed to your art and like any relationship it will go through ups and downs. Weather the downs and you will be rewarded with higher ups. Would any relationship be rewarding if it was always placid and stagnant?

What about you? Do you have a favorite tip for beating artist’s block? Please share! We could all use a little help sometimes.