Laying the Foundation…

I just got some beautiful new birchpanels from Micah Bailey of Oak Hill Farm (contact me if you’re in Alabama and want to order panels from him). They’re so pretty I almost don’t want to paint on them… but of course I will. First, though, priming.

As you probably know, you can’t paint directly onto wood with oil paints. In a nutshell chemical reactions between the oil and the wood cause the wood to disintegrate and the paint to change colors. Since I normally paint on metal or on pre-primed surfaces, I did a ton of research on how to prepare my panels. My best two sources of information were Ampersand’s website and the knowledgeable people at Gamblin Artist Colors. You can actually call Gamblin for technical support and they’re so so kind.

Just for kicks I tried a couple of different priming techniques to see what I prefer. I applied just plain ol’ clear gesso to one and Gamblin ground for oils to the other.

The gesso was definitely easier to apply and cheaper. But… I went with the Gamblin ground (btw, I swear I’m not getting paid for any of this by anyone). The reason- I love smooth surfaces and the ground (when applied correctly) gave me a super smooth finish. The process is a little picky, so here’s my best advice: a little goes a long way. I mean a really long way. Apply really really thin coats. Let it dry at least 24 hrs (if I put it on too thick it ended up being longer than 24 hrs). Sand, apply again. It says you just need 2 coats, but I actually did 4. Tada! Primed panel ready for some painting love.

Let Helping Hands Help

I’m pretty independent…sometimes too independent. I figure that people have better things to do than help me when technically I CAN manage. Today, though, juggling a toddler and a heavy box I needed to exchange at an auto parts store I accepted a helping hand. A kind man in the parking lot offered to carry the box into the store and I turned him down. He happened to be leaving the same time as me as well and said, “Please, let me help you.” Maybe it was the tone of his “please,” maybe it was the gut feeling that he wasn’t creepy, or maybe it was the fact that I really wasn’t sure I could make to the car with the even heavier new item under my arm. Whatever the case, I gratefully handed it over. As we got to my car and I thanked him, he admitted, “I have ulterior motives.”

“Oh, great,” I thought, “My gut lied.”

He continued, “I’ve been sitting with my dying father for the last two weeks and I can’t tell you how good it feels just to  talk to a living breathing person and feel like I’m being some actual use to someone.”

I left the interaction feeling a warmth and generosity toward all humanity and the sense that we’re all in this together. We could all use a little help sometimes, as well as the opportunity to offer help. May the good you receive equal the good you share.

…aaaand since I don’t have a picture to illustrate this life lesson, here’s another onion 🙂

IMG_0295

Onion # 3  4″x4″ Oil on panel
$75

 

Ch-Ch-Ch-Changes

You’ve all seen pictures of my revamped (and so pretty!!) gray and white studio, but have you noticed that it’s affected my work?

 

I don’t know what came first, the studio re-do or this series of paintings (they both started around the same time) but I seem, in all areas of my life, to be craving clean, white, open spaces and simplicity. Hmm… could have something to do with the zillions of brightly colored letters and other toys constantly scattered around my house.